Dead Man’s Cell Phone: A study in love, death, and technology
Parkland College Theatre presents Dead Man’s Cell Phone, a quirky, dark comedy that explores our perceptions of love, death, technology, and just about everything in between.
Parkland College Theatre presents Dead Man’s Cell Phone, a quirky, dark comedy that explores our perceptions of love, death, technology, and just about everything in between.
Director Robert Anderson stepped away from his busy week and talked with us about his latest production.
Hoodoo Love is an emotional experience that mirrors its musical score, which is as pure as Blues can get.
What if you received a call from God to follow him? And what if you didn’t want to heed that call because you were breaking one of his most serious laws every day of your life?
Daniel reviews the dark meditation on civility and violence that is the Station Theater’s God of Carnage.
Meghan reviews eight performances from Williams’ vast canon of one-act plays, and encourages us to take advantage of this rare opportunity to enjoy some of Williams’ lesser-known works.
Daniel muses on The Station Theatre’s production of The 39 Steps.
The Station Theatre is closing its 39th season with a production of The 39 Steps, which opens a week from Thursday. Mathew Green helps provide a preview of the show.
The New Revels Players’ Erik Allgood talks about tomorrow night’s performance of the venerable play, Liz Taylor, and the cathartic value of acting out your worst fears.
Tracy begins Mardi Gras week with an unconventional, erotic play, and leaves unoffended and … quite translated.