Double-plus good at making you think: A review of 1984
Rochelle goes to the Illinois Theater's production of 1984, and comes away thinking about state-sponsored torture and the nature of live performance.
Rochelle goes to the Illinois Theater's production of 1984, and comes away thinking about state-sponsored torture and the nature of live performance.
It turns out that for something called “circus”, the Peking Dreams performance features drama, theatrics and dance as opposed to the plotless clowns and tricks to which Western audiences are accustomed.
Student director Stephanie Svarz speaks about her unique approach to bringing Mary's Wedding to life.
While “Ignorance is strength”, that will not be an acceptable excuse for not going to see Krannert's production of 1984 after reading this preview.
Meghan reviews The Open House and dives into the crazy world of families.
Rebecca enters the Second Stage at Parkland Theatre for a virtually unforgettable experience
Deb Richardson promises some secrets and surprises from The (allegedly) Open House.
Undaunted by zombies, video game violence, or teenagers, Bethany catches up with the cast of Parkland's latest theatrical offering. Reports are it is seasonally appropriate, yet sophisticated.
Rochelle interviews the producer of a popular stage show that lets you laugh at teenage you.
What do you get when you cross 2015’s Pulitzer Prize-winning composer with a world-class acting institute, an internationally renowned performance center, and the unique community of Champaign-Urbana? A night at the theatre that could only happen here.