Review: Jack Kilroy’s Two Dead Cities
Former Kilroy et al frontman’s solo debut recalls a laundry list of indie touchstones while forging a niche of its own, aided by spot-on production that’s undeniably Urbana.
Former Kilroy et al frontman’s solo debut recalls a laundry list of indie touchstones while forging a niche of its own, aided by spot-on production that’s undeniably Urbana.
John’s take on Wednesday’s somewhat-divisive Bright Eyes show.
Roberta Sparrow and The Tossers were fantastic, but lessons were definitely learned.
Tracy begins Mardi Gras week with an unconventional, erotic play, and leaves unoffended and … quite translated.
The latest entry from the thriving DIY scene comes from a new band with a lot of promise.
… then you’re out of luck, but Gillian has the details on erstwhile indie heartthrob Pete Yorn’s struggles to balance cheesiness and pure pop at Canopy.
The three-plus-year wait has ended for Radiohead fans, yet The King of Limbs begs more questions than it answers. Jeff’s got the review.
Local sludge metal group drops an impressive debut EP, and on a cassette, no less. But don’t worry, they have a Bandcamp too.
Daniel reflects upon the visual, musical and lyrical virtues of the Station Theatre’s Eurydice
Robyn blew the roof off the Canopy Club last night, complete with a full band. Solo opener Diamond Rings wasn’t half-bad either.